Carmen Winant: Double Jeopardy
The Brooklyn Rail
Apr 23, 2026
Apr 23, 2026
The Modern Art Notes Podcast: Carmen Winant, Van Leo
The Modern Art Notes Podcast
Sep 29, 2023
Sep 29, 2023
Can Images Desensationalise Abortion?
ArtReview
Sep 20, 2023
Sep 20, 2023
Capturing the ‘spectacularly unspectacular’ reality of abortions and reproductive health facilities
The Art Newspaper
Aug 11, 2023
Aug 11, 2023
Artist Carmen Winant on Building a New Visual Language Around Abortion
VanityFair
Aug 8, 2023
Aug 8, 2023
Whitney Biennial Picks a ‘Dissonant Chorus’ of Artists to Probe Turbulent Times
The New York Times
Jan 25, 2024
Jan 25, 2024
Our Visuality: Abortion Care Work and Photography
Contemporary Art Review
Dec 4, 2023
Dec 4, 2023
The Print Center Announces A Brand New End: Survival and Its Pictures With Carmen Winant
Hyperallergic
Apr 21, 2022
Apr 21, 2022
Carmen Winant’s Kinetic Mobiles Reflect on the Act of Making
HyperArt
Sep 21, 2021
Sep 21, 2021
Carmen Winant’s Embodied Archives
Artforum
Jun 1, 2025
Jun 1, 2025
5 of the Best Photography Books of 2022
Cultured
Dec 9, 2022
Dec 9, 2022
Carmen Winant - On Art & Groundwork
The Messy Truth - Conversations on Photography
May 13, 2024
May 13, 2024
14 Photographers on Youth as a State of Mind
aperture
Oct 20, 2025
Oct 20, 2025
A Carmen Winant Show Devoted to Survival and Empowerment
The T List
Apr 14, 2022
Apr 14, 2022
Carmen Winant Fortnight Institute
Artforum
Jan 1, 2021
Jan 1, 2021
Was the Vision for the 2024 Whitney Biennial ‘Better Than the Real Thing’?
Cultured
Mar 13, 2024
Mar 13, 2024
First Impressions From the 2024 Whitney Biennial
Hyperallergic
Mar 14, 2024
Mar 14, 2024
Carmen Winant’s New Photo Book Frames Abortion as a Vital Human Right
Another Mag
May 24, 2024
May 24, 2024
Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024?
The New York Times
Mar 13, 2024
Mar 13, 2024
More Is More: Carmen Winant Transforms High Jewelry into Stunning Works of Art
W Magazine
Dec 16, 2024
Dec 16, 2024
Beginnings and Endings
Beyond Noise
Jun 20, 2024
Jun 20, 2024
The 2024 Whitney Biennial in five key themes
The Art Newspaper
Mar 21, 2024
Mar 21, 2024
Solemn Promise: A Review of “The Mask of Prosperity” at Gallery 400
Newcity Art
Jun 4, 2024
Jun 4, 2024
Carmen Winant, Collier Schorr and More on Their Love For Chantal Akerman
AnOther Magazine
Oct 31, 2023
Oct 31, 2023
Whitney Biennial 2024: Even Better Than the Real Thing
The Brooklyn Rail
Apr 4, 2024
Apr 4, 2024
Not all is quiet on the American-art front
4Columns
Apr 5, 2024
Apr 5, 2024
Carmen Winant’s Powerful Homage to Abortion Care Workers
aperture
Jul 11, 2024
Jul 11, 2024
Picturing Abortion: A Conversation With Carmen Winant
Whitney Museum of American Art
Jul 19, 2024
Jul 19, 2024
Reproductive Justice Is Under Threat. What Can Art Do?
Art in America
Apr 2, 2025
Apr 2, 2025





































