Charisse Pearlina Weston Named 2026 Hermitage Greenfield Prize Recipient
Sarasota Magazine
Jan 22, 2026
Jan 22, 2026
Surveillance Never Looked So Good
The New York Times
Dec 14, 2025
Dec 14, 2025
Charisse Pearlina Weston: mis-/mé- (squeeze)
The Brooklyn Rail
Nov 3, 2025
Nov 3, 2025
Open call: 2023 Burke Prize
e-flux
Feb 1, 2023
Feb 1, 2023
Charisse Pearlina Weston’s Glass Sculptures Challenge Beliefs About Transparency
Art in America
Nov 16, 2022
Nov 16, 2022
Words and Actions: Queens Museum Shows About Seeking Racial Justice
The New York Times
Oct 22, 2022
Oct 22, 2022
STUDIO MUSEUM IN HARLEM WELCOMES THREE NEW ARTISTS-IN-RESIDENCE
Artforum
Oct 17, 2022
Oct 17, 2022
Studio Museum in Harlem Announces Artists in Residence
The New York Times
Oct 14, 2022
Oct 14, 2022
Frieze New York doubles down on local galleries and artists for latest edition
The Art Newspaper
Apr 30, 2024
Apr 30, 2024
The Art We’re Obsessed With in April 2024
Artsy
Apr 26, 2024
Apr 26, 2024
A Look at the 2024 Whitney Biennial Through the Lens of the 1993 Edition
Observer
Aug 6, 2024
Aug 6, 2024
Cecilia Alemani on her top picks from Frieze New York
The Art Newspaper
May 1, 2024
May 1, 2024
81st Whitney Biennial, “Even Better Than the Real Thing”
e-flux
Mar 30, 2024
Mar 30, 2024
Artist Charisse Pearlina Weston: ‘This is a kind of violence that’s been naturalised, but it’s not natural’
Financial Times
Apr 26, 2024
Apr 26, 2024
Editorsʼ picks: 6 projects not to miss at Art Basel Miami Beach 2025
Art Basel
Nov 28, 2025
Nov 28, 2025
Abstract Sculptures and Vintage Finds Stand Out at Frieze New York
Artnet News
May 3, 2024
May 3, 2024
7 Art World Luminaries Share Top Picks from Frieze New York
Galerie Magazine
May 3, 2024
May 3, 2024
A Blazing, Brilliant Whitney Biennial Heralds a New Kind of Body Art
ARTNews
Mar 13, 2024
Mar 13, 2024
Dozens of Artists, 3 Critics: Who’s Afraid of the Whitney Biennial 2024?
The New York Times
Mar 13, 2024
Mar 13, 2024
Charisse Pearlina Weston: A Drama of Materials
Mousse Magazine
Oct 7, 2024
Oct 7, 2024
Frieze New York 2024 Review: An Expanding Universe
Wall Street Journal
May 2, 2024
May 2, 2024
The 2024 Whitney Biennial in five key themes
The Art Newspaper
Mar 21, 2024
Mar 21, 2024
Whitney Biennial 2024: Even Better Than the Real Thing
The Brooklyn Rail
Apr 4, 2024
Apr 4, 2024
Not all is quiet on the American-art front
4Columns
Apr 5, 2024
Apr 5, 2024
Interview: Charisse Pearlina Weston by Zoë Hopkins
BOMB
Jul 29, 2024
Jul 29, 2024































