Bearing Witness to the Work of Kaveri Raina
Elephant
Sep 21, 2023
Sep 21, 2023
The Wistful Edge of Silence: Kaveri Raina
office
Sep 5, 2023
Sep 5, 2023
Cerebral Women: A Conversation with Kaveri Raina
Cerebral Women
Dec 13, 2023
Dec 13, 2023
Life in Motion: permeability, transparency and disembodied form in Tommy Mintz and Kaveri Raina
art critical
Jun 20, 2019
Jun 20, 2019
Magical and visceral, 12 Gates Arts embraces ‘A Space for Monsters’
Artblog
Mar 5, 2021
Mar 5, 2021
Contemplating Art and Optimism at a Former Meat-processing Plant
Hyperallergic
Jul 22, 2020
Jul 22, 2020
Critics’ Picks: Kaveri Raina
Artforum
May 30, 2020
May 30, 2020
Between the Strange and Sublime: A Review of Heft at Patron Gallery
Sixty Inches From Center
Aug 22, 2022
Aug 22, 2022
Is Abstract Expressionism back?
Art Basel
Nov 1, 2022
Nov 1, 2022
“As if the material did not allow for linearity”: Kaveri Raina’s Paintings on Burlap
Sixty Inches From Center
Oct 7, 2024
Oct 7, 2024
Editorsʼ picks: 6 projects not to miss at Art Basel Miami Beach 2025
Art Basel
Nov 28, 2025
Nov 28, 2025
Kaveri Raina’s Linger Still, Curated by Emily Burns at Assembly Room
Arte Fuse
May 9, 2019
May 9, 2019
Kaveri Raina Interview
Via Sapientiae
Mar 20, 2017
Mar 20, 2017
Kaveri Raina: Doom to Hover
Ginger Magazine
Dec 1, 2019
Dec 1, 2019
On Display at the People’s House: A Century of Persistence
The New York Times
Jan 20, 2019
Jan 20, 2019