Virtual Horizons: Gwangju
Hyundai Artlab
Jun 23, 2023
Jun 23, 2023
NOÉ MARTÍNEZ: MEMORIA DEL CUERPO
La Tempestad
May 18, 2023
May 18, 2023
14th Gwangju Biennale review: a stage for new voices and ancient ideas
Wallpaper
Apr 12, 2023
Apr 12, 2023
Thirteen Exhibitions to Catch This Winter
Boston art review
Feb 6, 2024
Feb 6, 2024
14 art exhibits to explore this winter
WBUR
Jan 11, 2024
Jan 11, 2024
Noe Martinez | Voices by Ayarkut
Ayarkut
Sep 11, 2023
Sep 11, 2023
Rescatar la cultura huasteca
El Mundo Primera Edición
Jan 27, 2023
Jan 27, 2023
Descendant of slaves: This artist’s work is dedicated to his ancestors
MallorcaZeitung
Jan 20, 2023
Jan 20, 2023
Making Connections Through Clay at Frieze London
The New York Times
Oct 3, 2024
Oct 3, 2024
Unearthing the Roots of Colonialism: A Review of Noé Martínez at Patron Gallery
Newcity Art
Jul 23, 2024
Jul 23, 2024
Ancestral suffering, present victories: Noé Martínez’s ‘The Body Remembers.’
The Justice
Mar 19, 2024
Mar 19, 2024
Eventos el fin de semana en CDMX: 15 al 17 de julio 2022
Vogue Mexico
Jul 15, 2022
Jul 15, 2022
Resilient Currents, on communal re-existence. Comisionada por Thanks for Nothing
ArtNexus
Apr 19, 2024
Apr 19, 2024
Curator Pablo José Ramírez: ‘Art history doesn’t belong exclusively to the western world’
Financial Times
Oct 4, 2024
Oct 4, 2024
Arco Art Fair Madrid: Resilience Amid Global Turmoil, Showcasing Global Talent
BNN Breaking
Mar 6, 2024
Mar 6, 2024
Editorsʼ picks: 6 projects not to miss at Art Basel Miami Beach 2025
Art Basel
Nov 28, 2025
Nov 28, 2025
Noé Martínez explores Indigenous ancestry and trauma of colonialism in ‘The Body Remembers’
The Bay State Banner
Mar 20, 2024
Mar 20, 2024
Artist Noé Martínez questions and heals part of the country’s colonial and slavery history
La Jornada de Oriente
Jul 17, 2024
Jul 17, 2024